FREE Catholic Classes Paganism, in the broadest sense includes all religions other than the true one revealed by God, and, in a narrower sense, all except Christianity, Judaism, and Mohammedanism. The term is also used as the equivalent of Polytheism.
She would also use local women as her models for her paintings rather than employ professional models as, first of all, she did not believe that professional models would agree to sit for her, but secondly and more importantly, she was of the opinion that professional models posed self-consciously and that would destroy her objective of producing a natural mother and child portrait.
As in most of her paintings, Cassatt did not seek to glamorise or sentimentalise her subjects; instead she wanted to depict the mothers as honest, clean-living, good-looking women. We can clearly see the influence of Impressionism in this work.
Look how relaxed the young child is as he gazes out at something off-canvas. It seems to be almost an unconscious gesture. It assures him of her presence. It is not a demanding or needy gesture. He is at ease. He feels secure in the close presence of his mother.
The mother looks down lovingly at her child. She wraps her arms around her child offering comfort. She too is relaxed, content and happy. There is a pleasing tranquillity about the depiction of mother and child. This tranquillity is enhanced by the colours Cassatt has utilised in this work.
There is a lot of white but it is not a glaring brilliant white as it has been toned down by the grey, blue and brown she has added to the white. At the same time that he is touching her face she is holding his foot in her left hand, maybe soothingly stroking it with her thumb to give him some reassurance whilst her right arm which is out of sight cradles his back and keeps him secure on her knee.
She looks down at him with a loving expression. This work, unlike the first painting which was in oil, is in pastel. Once again the brilliant white of her dress has been toned down by strokes of blue as well as the hint of a red floral pattern.
This has subdued the brightness of her dress and therefore does not distract us from the depiction of mother and child. The provenance of this work is quite interesting. The painting had belonged to Louisine Waldron Elder Havemeyer.
She was an art collector, fervent feminist and a patron of Impressionist art. The two became inseparable and would often tour the Parisian art galleries and during one such visit Louisine met Degas.
It was good advice as in her autobiography Sixteen to Sixty: After that first foray into the world of a buyer of artworks, Louisine and Mary Cassatt made many more art purchases and the pair of art lovers travelled all over Europe together.
Louisine was introduced to other aspiring artists such as Monet and Manet. Louisine returned to America in and concentrated on becoming an art collector. Three years later she married Henry O. Havemeyer of the American Sugar Refining Company.
In the years that followed she and her husband built up one of the most important private art collections. Chateau Beaufresne Although based in her rue de Marignan apartment in Paris in the winter, with the occasional visit to Grasse in Provence if the winter weather was really bad, Mary Cassatt bought herself a summer residence in She loved her summer home and stayed there 33 years up untilthe year she died.
Of the country house she once said: This oil painting of Reine and her baby was the culmination of many sittings and many preparatory sketches. We see the mother with her arms crossed together around the legs of the baby forming a platform for her to sit upon.
She wears an orange robe and the simple flecks of white paint give it a polka-dot appearance.
The artist wants us to concentrate on the faces of her two characters. The lack of any objects in the plain dark background means that we focus purely on mother and baby.
They both focus on a point off-canvas. It would have been so simple to portray Reine as a person full of life with a loving smile for her baby but this portrayal of her is a realistic one and one that Cassatt believed was the way to depict a mother with her child.An oil on canvas painting, The Elder Sister, was painted by a French artist, William-Adolphe Bouguereau (srmvision.com).
This artwork was completed in /5(1). Sep 26, · The Elder Sister (French: La soeur aînée) is a painting by nineteenth century French artist William-Adolphe Bouguereau which he painted in The painting was acquired by the Museum of Fine Arts, Houston, Texas in as an anonymous gift.
An oil on canvas painting, The Elder Sister, was painted by a French artist, William-Adolphe Bouguereau (srmvision.com). This artwork was completed in /5(1). Dec 12, · Sister (Sister2Sister song) Save a play by Gail Louw Paintings Two Sisters, , by William-Adolphe Bouguereau Two Sisters (On the Terrace), , by Pierre-Auguste Renoir Two Sisters of Old Hawaii, , by Madge Tenn the sisters are being two-timed by a suitor; in others, the elder sister's affections are not encouraged by the young.
The Catholic's Guide to Atheists. Jennifer Fulwiler. One of the most common question I get through my blog is: “How can I talk to my atheist friend / family member / coworker about the Faith.
The Elder Sister, an oil-on-panel painting, was produced by the French artist William-Adolphe Bouguereau () circa A reduction of the artwork – one of several smaller versions painted after a larger edition – hangs today in the Beaux-Arts Court .